Meriem Bennani’s flip-flop orchestra during Art Basel Paris
For her latest solo exhibition, Sole Crushing, Moroccan artist Meriem Bennani orchestrates a radical reimagining of protest, procession, and public intimacy through the most ordinary of objects. The building itself becomes a resonating chamber, filled not with voices or instruments, but with over two hundred rubber sandals—striking, slapping, tapping in choreographed rebellion. “I had this […]





