Posted in Dazed MENA 100 2025 Dazed 100 2025

Latifa Bint Saad: Stitching Memory and Imagination Into Fashion

The Saudi stylist is redefining what it means to dress and dream in the Gulf

Text Hamza Shehryar

Ask Latifa Bint Saad what fashion is about, and she’ll tell you it’s about paying homage to the ways we move, remember, and imagine. The work of this Saudi stylist, creative director, and cultural researcher drifts between anthropology and aesthetics as she explores the politics, poetics, and personal rituals of dress in the Gulf. Each project is a conversation between past and present, image and intimacy.

“It began as curiosity, something that challenged me but also made me feel alive,โ€ she says of her origin story. “It still gives me that same rush: joy, purpose, and creative fuel.” That blend of emotion and inquiry runs through everything done by the 26-year-old, whether she’s styling, conducting research, or dreaming up visual worlds that trace the delicate intersections between femininity, heritage, and selfhood.

Unsurprisingly, Saadโ€™s influences are deeply personal. “My people, my family, my cultureโ€”they are the archive I always return to,” she tells Dazed MENA. “Everything I create begins with them: their stories, their dreams, their ways of seeing the world. The quiet poetry of my people inspires me. That’s where my imagination lives.”

For this multihyphenate, who works out of both Saudi Arabia and the UK, creative work isn’t about spectacle but sincerity. “It’s never been one big moment to me,” she reflects. “It’s the quiet ones. When someone tells me that my work made them feel seen or understood, that’s what keeps me going. That’s the real milestone.” Her vision is rooted in compassion and visibility, which also extends to uplifting and collaborating with other creatives from the region. “Whether through imagery or research, my work is an ongoing dialogue with my community,” she explains. 

That sense of dialogue extends to how she imagines the future of the region’s creative scene. “I hope to see a region unafraid of its own reflectionโ€”artists and researchers pushing boundaries, telling raw stories and creating from a place of honesty rather than expectation,โ€ she states. โ€œLess fear, more feeling.”

Her process, she explains, is led by intuition and a sensitivity to how life unfolds around her. “What drives me is the mix of instinct and observation, seeing how people move, dress, express, and belong,” she continues. “My process is emotional first, analytical second; it’s about translating these feelings into form.” That balance between thought and tenderness is what defines Saadโ€™s creative spirit.

Ultimately, itโ€™s about reimagining how Arab identity is seen both within and beyond the region. “I hope to shift how we look at ourselves,” she says. “To show that Arab identity can be complex, fluid, and deeply creative. Through my work, I want to build bridges between what we’ve inherited and what we’re becoming.”

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