Akram Zaatari’s infinite frames
Akram Zaatari embodies the very idea of an iconophile, a word stemming from the Greek eikṓn (image) and philos (loving), quite literally meaning “lover of…
Dazed MENA issue 01
Glitches, Ghosts, and Going Off Script: with Farah Al Qasimi and Martine Syms
Farah Al Qasimi and Martine Syms have built their practices on the razor’s edge between the absurd and the deeply personal. Al Qasimi (with her…
Eternally Vanishing: Adam Henein and the memory of Egypt
Adam Henein’s museum in the Giza village of Harraniya sits like a relic in its own right. Now, it is tucked away behind a canal…
Anarchy is key: Comme des Garçons and the art of disruption
Originally published in Dazed MENA Issue 01 | Order Here With their seemingly unflattering chemical base notes — woody with the faintest trace of citrus…
Waste Files: Afterlives of fashion’s excess in Johannesburg
Upcycling; the Depop craze; hand-me-downs; soiled toiles; somehow nylon is more expensive than cashmere; grandfather’s wedding suit but I added ribbons to it to partake…