Florals front and centre on Antonio Marras’s Autumn/Winter 2026/27 runway

Who says gardens are only meant to thrive outdoors? At Milan Fashion Week, Antonio Marras brought his blooms into the wardrobe, weaving florals, trailing vines, and delicate textures into a collection that looked like it was plucked straight from an overgrown dreamscape.

The range features traditional pieces, contrasted with contemporary elements. Veils of lace are added to weightless silk tunics in sage green, while tailored jackets with masculine motifs meet black prints threaded with grey-gold filaments. Climbing roses in shades of carmine and burgundy trace across ecrù lace, and inlays, such as velvets, damasks, and brocades, are layered onto reworked parkas and kimonos. 

Additionally, a selection of limited-edition jackets splices together fragments of garments from the archives, stitched back together with embroidered roses.

The hero piece, however, is the Caragol, a bag named after the Alghero dialect word for snail as a nod to Antonio Marras’s own roots in the Sardinian city. It’s entirely handcrafted in Italy, from full-grain nappa leather dyed in rose, ivory, teal, and burgundy.  

Although its namesake may be slow and steady, the handbag itself made an immediate retail debut on the same day it hit runways, available in the brand’s flagship stores in Milan’s Montenapoleone, Florence, Rome, and New York, as well as online. 

With the Caragol leading the way, Antonio Marras’s Fall/Winter collection feels like a stroll through a whimsical garden. Who wouldn’t want to step inside?