Freedom is priceless: Hushidar Mortezaie on satire as resistance and the art of third spaces
For some time now, I’ve taken issue with ‘fashion’ as a noun. That is, as “capitalism’s favourite child”; an identifier of a mass; a kind of hagiography emanating from industry, taste, status, money; and a monopoly on modernity according to its colonial metropole in the west, framing the terms of inclusion for those coming from […]


